Primal Harmony explores the often-perceived separation between human existence and the natural world—a divide that has led to a romanticized view of nature in society. This production aims to dissolve that boundary by becoming an integral part of the forest, minimizing disruption to its primal state and moving through the environment as one with the surroundings. In this context, the sounds of brass instruments and other human activities are not external impositions but rather extensions of the forest itself. The work seeks to explore space, create imagery in harmony with the environment, and provide sensory stimuli through sound and movement—while intentionally leaving room for audience interpretation. The sonic palette includes contemporary wind-playing techniques such as air sounds, slapping, and extended effects, in collaboration with fellow artists and the natural landscape.
Neo Papara is a contemporary musical subgenre that evolves from Papara, the Sri Lankan brass band tradition celebrated for its lively, festive, and communal spirit. The term and concept of Neo Papara were coined by Nuwan to define his experimental work with Papara without directly using the traditional name—both as a step toward preserving the original form and as an act of respect for its heritage and values. While Papara has traditionally functioned as background or procession music, Neo Papara reimagines the genre for the concert stage, channeling its vibrant energy into more formal and performative settings. It blends the core ethos of Papara with influences from interdisciplinary and modern performance practices—including elements of theatre, ritual, improvisation, and global musical styles. More than a musical style, Neo Papara is also a practice-led research field, engaging with the social, technical, and ritual dimensions of performance.
Gaweshana is a contemporary concert tour that invites audiences to engage with pressing social, political, and geographical issues through music. Blending free improvisation with traditional and ritual music practices, the project creates an evolving, reflective experience rooted in exploration and dialogue. Themes such as deforestation, sound pollution, human–animal conflict, and the impact of human activity on nature are addressed in ways that resonate with each audience’s local context. Gaweshana aims to spark meaningful conversations and deepen public understanding of societal challenges, while also inspiring artists to explore new creative horizons. By weaving together the rich cultural traditions of Sri Lanka with global artistic perspectives, the project aspires to take Sri Lankan music to international platforms—showcasing its depth, diversity, and relevance on the world stage.
This blog is a personal space curated by Nuwan, where he shares his writings, research papers, reflections, and thoughts on a wide range of subjects—musical and beyond. Rooted in lived experience and shaped by his journey as a performer, thinker, and collaborator, the blog offers an open platform for exploration, expression, and dialogue. Whether addressing artistic practices, cultural ideas, philosophical questions, or technical insights, Nuwan writes with honesty and curiosity, aiming to connect with others who may find value or resonance in his words.